All Albrecht Altdorfer's oil paintings
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ID |
Image |
Oil Pantings, Sorted from A to Z |
Other Information |
30230 |
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The Battle of Issus |
nn05
1529
The Battle to end all battles
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56010 |
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the battle of lssus |
mk247
1529,oil on panel,62.375x47.375 in,158.4x120.3 cm,alte pinakothek,munich,germany |
2294 |
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The Birth of the Virgin |
1525
Pinakothek, Munich |
78750 |
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The Birth of the Virgin |
1525
cjr |
81844 |
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The Birth of the Virgin |
1525(1525)
Medium pine panel
cyf |
2291 |
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The Departure of Saint Florian |
1520
Galleria degli Uffizi, Florence |
29932 |
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The Departure of St.Florian |
mk67
Oil on panel
31 7/8x26 3/8in
Uffizi,Gallery
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52078 |
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The Entombment |
c. 1516
Oil on wood,
70,5 x 37,3 cm |
82481 |
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The Entombment |
1516(1516)
Medium Oil on wood
cyf |
39027 |
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The Fairie Wood |
mk142
1893
Oil on canvas
111.8x142.2cm
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82497 |
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The Flagellation of Christ |
1518(1518)
Medium Oil on wood
cyf |
29931 |
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The Martydom of St.Florian |
mk67
Oil on panel
30 1/16x26 /16in
Uffizi,Gallery
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2292 |
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The Martyrdom of Saint Florian |
1520
Galleria degli Uffizi, Florence |
83585 |
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The Martyrdom of St Florian |
Date ca. 1530(1530)
Medium Oil on wood
Dimensions Height: 76 cm (29.9 in). Width: 67 cm (26.4 in).
cjr |
30486 |
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Victory of Alexander over Darius,King of the Persians |
mk68
Oil on wood
Munich
Alte Pinakothek
1529
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53774 |
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View from Danube |
mk234
ca 1520-25
30x22cm |
2290 |
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View of the Danube Valley near Regensburg |
1520-25 |
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Albrecht Altdorfer
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German
1480-1538
Albrecht Altdorfer Galleries
He most often painted religious scenes, but is mainly famous as the first frequent painter of pure landscape, and also compositions dominated by their landscape. Taking and developing the landscape style of Lucas Cranach the Elder, he shows the hilly landscape of the Danube valley with thick forests of drooping and crumbling firs and larches hung with moss, and often dramatic colouring from a rising or setting sun. His Landscape with footbridge (National Gallery, London) of 1518-20 is claimed to be the first pure landscape in oil. He also made many fine finished drawings, mostly landscapes, in pen and watercolour. His best religious scenes are intense, sometimes verging on the expressionistic, and often depict moments of intimacy between Christ and his mother, or others. His most famous religious artwork is the The Legend of St. Sebastian and the Passion of Christ that decorated the altar in the St. Florian monastery in Linz, Austria. He often distorts perspective to subtle effect. His donor figures are often painted completely out of scale with the main scene, as in paintings of the previous centuries. He also painted some portraits; overall his painted oeuvre was not large.
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